Fresh Fandoms is back and louder than ever!

Our signature fandom-focused series returns to spotlight the rising stars, breakout tracks, and buzzworthy releases that are turning casual listeners into diehard fans. From genre-defying newcomers to underground gems on the verge of a breakthrough, Fresh Fandoms is your backstage pass to the artists and songs everyone will be talking about next.

With new music dropping every week, we’re cutting through the noise to bring you the voices, stories, and sounds worth obsessing over. Let’s dive into what’s new, what’s next, and what’s fueling the fandoms of tomorrow!

"Girlfriend's Got A Boyfriend" - Cole Goodwin

Cole Goodwin puts a clever spin on heartbreak with his new single “Girlfriend’s Got A Boyfriend,” out now via Big Machine Records. Swapping sorrow for swagger, the uptempo track blends traditional country elements – dancing fiddles, pedal steel, and thumping drums – into a foot-stomping anthem about infidelity. Goodwin suspects his girl’s been stepping out, and he doesn’t need a confession to prove it – just the lingering smell of smoke on her clothes.

 “I got a feeling she's been fooling 'round with someone else... My girlfriend's got a boyfriend and it ain't me,” he sings with a knowing tone.

Written alongside friends in Nashville, the track serves as a lighthearted take on a classic cheating story.

“I’ve always been a big fan of a good ole cheating song,” Goodwin shared in a press release. “And I wanted to write a lighthearted take on a situation nobody wants to find themselves in.”

"Don't Let the Bastards Get You Down" - Margo Price

Margo Price is gearing up to release her new album Hard Headed Woman on August 29 via Loma Vista, and she’s setting the tone with a fiery lead single, “Don’t Let the Bastards Get You Down.” Co-written with her husband Jeremy Ivey and country legends Kris Kristofferson and Rodney Crowell, the track is a defiant anthem for the overlooked and underestimated. True to its title, the song is a kiss-off to anyone who tries to dim your light, with a gritty edge and lyrics inspired by a real-life moment – Kristofferson’s words of encouragement to Sinéad O’Connor after she was booed at a Bob Dylan tribute concert.

“Don’t let the bastards get you down / Don’t sell your heart to no businessman / He’ll sell it back next time around,” Price declares in the chorus, delivering a raw, rebellious message wrapped in country soul.

The upcoming album, produced by Matt Ross-Spang, will also feature collaborations with Tyler Childers and Jesse Welles, further cementing Price’s place as one of country’s most fearless voices.

"Touch Myself" - The Beaches

Everyone’s favorite girl group, The Beaches, return with their latest single “Touch Myself,” a raw and unfiltered take on heartbreak that pushes emotional boundaries in all the right ways. While many breakup songs dwell on the unexpected waves of sadness triggered by everyday reminders – a favorite restaurant, a bouquet of red roses – “Touch Myself” bravely explores the deeply personal moments of grief that surface during sex and self-pleasure after a breakup. It’s an honest, vulnerable track that captures the complexity of longing, intimacy, and healing with the band’s signature edge and authenticity.

"Mean Girls" - KATSEYE

KATSEYE’s second EP, BEAUTIFUL CHAOS, is a bold and genre-blending evolution that turns confusion into catharsis, anchored by the standout track “Mean Girls.” Layered with dreamy production, a heavy bassline, and striking harmonies, the song serves as both a response to public criticism and a declaration of grace – channeling backlash into beauty. Lara’s haunting pre-chorus shines as a vocal centerpiece, while the group’s message of forgiveness and empowerment cuts through with sincerity and strength. It’s a defining moment for the global pop collective, proving that even in chaos, they can craft something undeniably powerful and poetic.

"Hoedown" - Ink

Breakout songwriter Ink turns up the heat with her second release via Big Loud Records/Electric Feel Records, the dance floor-ready “Hoedown.” Fueled by her signature spontaneous creative process – dubbed the “Ink style” – the track blends her love of rock and roll with country twang, creating an irresistible line-dancing groove.

“I knew it was a hit because we couldn’t stop dancing. Even the neighbors kept knocking on the door,” she shares.

Born and raised in Georgia, Ink brings a fearless, genre-blurring approach to country music, combining raw storytelling, rhythmic finesse, and an unmistakable tone shaped by her background as a producer and songwriter. With turquoise jewelry, black cowboy boots, and a firecracker spirit, she’s introducing a new kind of outlaw – one who balances tradition with rebellion and knows how to get the party started.

"The Way We Were" - Just Jayne

After giving fans a taste of their sound with tracks like “All Back Roads” and “This Morning,” rising country trio Just Jayne is back with their ultimate summer anthem, “The Way We Were.” Comprised of Taylor Edwards, Rachel Wiggins, and Jillian Steele – who first met at Belmont University – the group continues to carve out their space in the country-pop scene with infectious hooks, standout songwriting, and undeniable charm. On “The Way We Were,” each member takes a vocal spotlight, but it’s their rich three-part harmonies that truly steal the show. The track leans into a nostalgic country-pop groove, reflecting on the shift in a relationship and longing for the magic of its early days – when everything felt effortless, exciting, and new.

"Sippin' On Top Of The World" - Russell Dickerson