Happy New Music Friday! 

This week’s roundup serves up a little something for every soundtrack. It includes stadium-ready anthems, tender mother-daughter ballads, dancefloor-ready country-EDM crossovers, and gritty honky‑tonk bangers. 

Kenny Chesney brings sun-soaked comfort with "Carry On," Reba McEntire and Jason Scott deliver timeless storytelling, and newcomers like Sheyna Gee, Maddox Batson, and Ben Chapman offer intimate, heartfelt moments. 

Deerock brings festival-size heat, while Susto Stringband delivers cozy, late-night sing-alongs. Ashland Craft and Dillon Carmichael crank dive-bar grit into crowd-shout anthems. Meanwhile, turn up Alex Warren’s O2 live cut for goosebumps or saddle up for Adam Chaffin’s rooted outlaw tale.

Keep scrolling and let us know your favorite song by leaving your Fan of View below or by sending us a message on social media @fandomdaily_. 

Kenny Chesney – "Carry On"

"Carry On" is pure Kenny Chesney, it’s sun-soaked and easygoing. It’s basically a friendly nudge to do what feels good and skip the stuff that doesn’t. The sound mixes his island, laid-back vibe with the warm, bluegrass roots he grew up on. However, the roomy arrangement lets his voice lead a singalong while building just enough energy for those big, communal moments. It’s classic Chesney…comforting, upbeat, and made for a stadium. For No Shoes Nation, "Carry On" is a rallying cry and a hug all at once. It’s meant to be cranked on tailgates, sung on boats, and blasted through speakers with friends. Chesney wants his fans to feel uplifted, included and ready to live in the moment. This one’s for the fans who’ve always found home in his music.

Sheyna Gee – "Seventeen"

Sheyna Gee’s new single "Seventeen" is a tender, moving tribute to the mother-daughter bond. Written from a mother’s perspective and inspired by Sheyna’s own upbringing with a single mom, the song reclaims a moment usually reserved for father-daughter tradition…the daughter’s wedding day. However, this track turns it into a celebration of a mother’s love. Musically, it rides a gentle country groove. The warm acoustic guitar, a plaintive twang in Sheyna’s voice, and the melody makes this song feel familiar and honest. Although, the songwriting is the heart of the track. It’s full of vivid, image-rich lines that pair small domestic memories with ceremonial moments, hitting straight to the heart without ever becoming overwrought. Sheyna strikes a balance between wistfulness and joy, transforming nostalgia into something uplifting. Especially meaningful for listeners raised by single mothers, “Seventeen” flips tradition and insists mothers deserve that spotlight. "Seventeen" arrives just in time for Mother’s Day! The song offers brides a sincere, emotional choice to honor their moms. Sheyna Gee is proving herself as a simple, sincere, and unforgettable songwriter.

Deerock – "HOT OUT"

"HOT OUT" proves Deerock can fuse country storytelling with festival-sized EDM without losing heart. This anthem has big-room synths, crisp drops, and small-town imagery. So, "HOT OUT" works as both a summer anthem and a dancefloor banger. By debuting it at Stagecoach, he’s pushing the Country x EDM crossover from novelty toward mainstream, signaling that major country stages and playlists will welcome producers who respect lyrical roots. The production feels balanced, the songwriting keeps emotional clarity, and the live energy translates. His technical EDM skills, authentic country instincts, and stage-ready charisma, Deerock isn’t following trends. he’s shaping the template for the next wave of crossover hits. He’s poised to run with heavy hitters like Marshmello, The Chainsmokers, and Zedd.

Susto Stringband ft. Joshua Hedley – "E-350"

"E-350," Susto Stringband’s new single featuring Joshua Hedley, is a warm, road‑tough love song that turns Justin Osborne’s battered van into a living memory. The inspiration behind this track was born from the hurt of losing his E‑350 and the joy of fans helping buy a replacement. Musically it leans into folk and country, driven by cozy stringband arrangements, acoustic grit, and a classic fiddle hook you’ll play on repeat. Hedley’s smooth counterpoint and Osborne’s weathered voice fold into harmonies that feel like shared stories told around a campfire. The lyrics are plainspoken and specific, which is exactly why it hits so hard for fan. This is as much their song as the band’s, a grateful thank‑you set to music. Perfect for joyrides and late‑night singalongs, "E‑350" is a tender standout from Susto Stringband (Volume 2), out May 29. 

Jason Scott & The High Heat – "Highway Robbery"

"Highway Robbery" commands attention from the first bar. The electrifying guitar pulls snap with precision, while crisp piano chords punctuate the arrangement and add bright momentum. The band’s smooth twang present in both the vocal delivery and the guitar phrasing, it grounds the track in country tradition without sacrificing rock-inflected bite. Vocals are confident and conversational, shifting between wry humor and grit. "Highway Robbery" balances concise storytelling with repeated hooks, ensuring the chorus lands memorably each time. Why should fans listen? A tight cocktail of rock ’n’ roll swagger and contemporary country shine. It’s ideal for listeners who crave guitar-led energy with authentic, relatable lyrics. It’s the kind of track that reads well on radio, fuels a live set, and makes for an addictive road-trip soundtrack.

Ashland Craft ft. Dillon Carmichael – "Hangin’ Up The Honkytonk"

This reworked cut turns the original dive-bar grit up to eleven. Dillon Carmichael’s gravelly powerhouse vocals and Craft’s cheeky edge lock into an effortless duet, transforming the track into a larger-than-life anthem. The arrangement preserves the ragged, neon-lit DNA. It has a rattling snare, driving acoustic rhythm, and a sludgy electric lead. However, the added vocal heft pushes every chorus into stadium-ready territory. Rather than smoothing away the rough edges, it amplifies them, making the song both raw and radio-ready. With earworm hooks, a memorable call-and-response, and a boots-on-the-floor pulse. Listeners will be replaying it at the bar, on the road, and blasting it at summer festivals. This one’s built to be shouted with a crowd.

Reba McEntire – "One Night In Tulsa"

Reba McEntire’s "One Night In Tulsa" music video premieres today.  Filmed during the one-night-only "One Night In Atoka" pop-up at Reba’s Place, the video captures an intimate, stripped-back performance for fans, with close-up cinematography that emphasizes authenticity and audience connection. The song is classic Reba.  A ’90s-style country ballad built on piano, acoustic guitar, and sparse production that lets her storytelling and vocal phrasing shine. Longtime fans will find it a faithful return to the sound that defined her career. As the title track of the One Night In Tulsa EP, the release also kicks off monthly music capsules celebrating her 50-year career, each pairing a new recording with a themed playlist. For fans who love Reba’s traditional voice, this is essential listening and a well-executed, fan-focused showcase.

Alex Warren – "FINE PLACE TO DIE (LIVE FROM THE O2 LONDON)" 

Recorded at a sold-out O2 Arena, this live version turns last week’s single into a stadium-sized moment you can’t ignore. Warren’s buttery baritone is up close and commanding, slicing through the roar so every lyric lands. The crowd singing back on the chorus delivers genuine goosebumps. The mix keeps the atmosphere raw and immediate, making you feel like you’re in the stands with thousands of fans. Played across his sold-out Europe & UK run and ahead of Finding Family on The Road, this track proves his fandom is real, loud, and growing. If you want to feel what it’s like to be part of Alex Warren’s wave, this live O2 version can’t be ignored. It showcases his vocal warmth, the communal power of his shows, and the unmistakable fact that Alex isn’t slowing down…he’s only getting louder.

Maddox Batson – "Fallin’ Easy" 

Maddox Batson’s "Fallin’ Easy" takes the familiar rush of young love and delivers it with surprising poise. At sixteen, Batson’s warm, controlled voice makes the song feel lived-in. The finger-snap intro is a smart, immediate groove that sets an intimate, approachable tone. Co-written with Jackson Foote, Grant Averill and produced by Foote, the arrangement leans on acoustic textures – clean guitars, light percussion, and plenty of space for Batson’s vocals. The chorus is catchy and easy to sing along to, and lyrically, the song hangs on small, cinematic moments. Picture late-night conversations under the stars and that dizzy, indescribable pull toward someone. What stands out most is Batson’s delivery, a calm confidence that hints at more experience than his age suggests. Rooted in true-country sensibility but polished for contemporary pop-country playlists, "Fallin’ Easy" has crossover appeal. It doesn’t reinvent anything, but it doesn’t need to. It’s just a tidy, charming snapshot of young love that highlights Batson’s songwriting instincts and vocal promise.

Ben Chapman – "Baby Blue"

"Baby Blue" finds Ben Chapman and co-writer (and wife) Meg McRee on the cusp of a life-changing moment as they prepare to welcome their newborn son, George. The song opens with the intimate image of robins building a nest and unfolds like a private letter. Chapman’s warm baritone, rooted in swampy Southern soul, rides over spare, comforting instrumentation. The tracks gentle slide guitar, brushed percussion, and roomy arrangements that let the refrain "Oh baby blue" linger like a promise. By the final verse, anticipation has turned into reverence – a portrait of two parents leaning into fear, joy, and the messy, beautiful work of making a home. “Baby Blue” is a tender, powerful glimpse into Feet On Fire’s emotional heart.

Adam Chaffins – "King of Coal Dust County"

Adam Chaffins’ new single "King of Coal Dust County"  is a concise, authentic introduction to his upcoming album Trailer Trash: Doublewide, arriving August 21. Rooted in Appalachian storytelling, the track-co-written with Billy Montana and Brit Taylor, tells a Robin Hood–style outlaw tale that balances grit with loyalty and survival. Musically, it’s straightforward down-home country track with twang-forward guitar, steady rhythms, and Chaffins’ lived-in vocal delivery. The strength is the songwriting. Its clear, image-rich lines that evoke eastern Kentucky without resorting to cliché. Chaffins writes with authority and delivers with confidence, proving himself both a strong writer and compelling performer. "King of Coal Dust County" positions Chaffins as a songwriter to watch. If you appreciate narrative-driven country that feels rooted and real, this single delivers.

Feature Photo Credit: Allister Ann